HAPPY PORTRAIT MONDAY
Gerhard Richter, Gegenüberstellung 2 (Confrontation 2) oil on canvas, 1988 112 cm x 108 cm image courtesy of Gerhard Richter |
Happy Portrait Monday!
Today's Portrait Monday is brought to you by the Winsor Gallery intern, Alex M.F. Quicho, and Gerhard Richter.
From Gerhard Richter's website:
While passing by, a woman looks into the distance, then stops short with a tight smile on her lips, finally moving on, her gaze directed downwards.
The three paintings entitled Confrontation 1–3 show Gudrun Ensslin, a German terrorist of the Red Army Faction (RAF). The paintings refer to a chronological sequence of photographs, which were taken at Essen prison after Ensslin's arrest in summer 1972. When transforming the photographical source images into paint, Richter cropped the image decisively: whereas the standing Ensslin is captured full length in the photographs, in the paintings only the upper part of her body is depicted – in almost life-size. In cropping the image, Richter reduces any information about Ensslin's surroundings. He forgoes another detail in addition: in the photograph that shows Ensslin looking directly at the beholder, she carries a number plate in her hand, which corresponds with Richter's original title Gegenüberstellung (= identity parade).
The title describes not only the fact that Gudrun Ensslin is on her way to an identity parade, but it also is about a confrontation with the viewer. Gerhard Richter aims to come face to face with Gudrun Ensslin, the human being rather than the terrorist. She might appear likeable to the beholder; however, with the knowledge about her past this gives way to an ambivalent feeling.
The rest of the series can be viewed on Richter's website, here.
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